Candace Kling

CANDY SAMPLER: I SCREAM YOU SCREAM
1989
textile, mixed media (ribbon, folded, pressed,
pleated, sewn, glued, sanded painted)
NFS (price range $500-$2500)


I SCREAM YOU SCREAM, detail


CANDY SAMPLER: VELVET DREAM CREAMS
1998
textile, mixed media
NFS

BIOGRAPHICAL INFORMATION
Education
1978 BFA with High Distinction, CCAC, Oakland, CA

Publication
1996 The Artful Ribbon, C & T Publishing

Selected Exhibitions
1998 Feast for the Eye, M.H. deYoung Memorial Museum, San Francisco
  Defining Fiber, Braunstein/Quay Gallery, San Francisco, CA
1997 Celebrating American Craft, American Craft 1975-1995,
The Danish Museum of Decorative Art, Copenhagen, Denmark
Purdue University Galleries, West Lafayette, IN
SOFA, Chicago, IL
1995-6 Sampler Art, Mobilia Gallery, Cambridge, MA (Traveling)
SOFA, Chicago, IL
1995 8th International Triennale of Tapestry, Lodz, Poland
1993 HATS! AHEAD OF FASHION, Philadelphia Museum of Art, PA
1989-93 Craft Today USA, American Craft Museum, NY (International traveling exhibition)
  The Metropolitan Museum of Art, New York

Selected Collections
  The American Craft Museum, New York
  The M.H. deYoung Memorial Museum, San Francisco, Ca
  Alex and Camille Cook, Chicago, IL
  Elton John

ARTIST STATEMENT
I have a long-standing interest in the manipulated fabric trims on historical dress, and an even longer standing love of candy. I've done deep research in both areas. The making of textile samplers has a long and rich tradition. Young girls learned and then exhibited their prowess in the making of samplers of fancy stitches, alphabets and flowers, each element of which was a unique and individual statement. Religious sayings were often incorporated into these samplers. My "Candy Samplers" celebrate this tradition. Candy is my nickname. The puns are intended. There is a delight in trompe l'oeil. It's a gentle trick. In t his instance, having been seduced, you won't gain an ounce. These are my diet chocolates. They have added benefit of being high in fiber.


COMMENTS ON THE FIBER FIELD
I tend to turn the phrase from "fiber art" to art made with fiber" or "artist working with fiber." I consider it a material used to make art. Some artists use fiber exclusively, but many incorporate it with a variety of materials. I do this also. The term then being "mixed media." I am particularly drawn to certain attributes of fiber: its surface, texture, malleability, and flexibility, but several of these are not exclusive to it. Fiber has its own sensuous nature, but so do paint and metal. I'm drawn to them as well. I can't imagine limiting myself to this single medium.

I think that there has been a graying of the area of "fiber art" as a category, as more traditionally trained sculptors embrace and incorporate fiber as a medium. Fiber obviously has its own unreplicatable qualities, but I think it still fits in either the 2-D or 3-D categories of art, and should sit comfortably next to stone, metal or a video monitor, depending on the context of the show presented.



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