Candace Kling | ||||||||||||||||||||||||||||||||||||||||
CANDY SAMPLER: I SCREAM YOU SCREAM 1989 textile, mixed media (ribbon, folded, pressed, pleated, sewn, glued, sanded painted) NFS (price range $500-$2500) I SCREAM YOU SCREAM, detail CANDY SAMPLER: VELVET DREAM CREAMS 1998 textile, mixed media NFS |
BIOGRAPHICAL INFORMATION
ARTIST STATEMENT I have a long-standing interest in the manipulated fabric trims on historical dress, and an even longer standing love of candy. I've done deep research in both areas. The making of textile samplers has a long and rich tradition. Young girls learned and then exhibited their prowess in the making of samplers of fancy stitches, alphabets and flowers, each element of which was a unique and individual statement. Religious sayings were often incorporated into these samplers. My "Candy Samplers" celebrate this tradition. Candy is my nickname. The puns are intended. There is a delight in trompe l'oeil. It's a gentle trick. In t his instance, having been seduced, you won't gain an ounce. These are my diet chocolates. They have added benefit of being high in fiber. COMMENTS ON THE FIBER FIELD
I think that there has been a graying of the area of "fiber art" as a category, as more
traditionally trained sculptors embrace and incorporate fiber as a medium. Fiber
obviously has its own unreplicatable qualities, but I think it still fits in either the 2-D or
3-D categories of art, and should sit comfortably next to stone, metal or a video
monitor, depending on the context of the show presented. |
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