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Curated by Myra Block Kaiser
BRAUNSTEIN/QUAY GALLERY, SAN FRANCISCO
August, 2008
REPRISED FOR FIBERSCENE
October 1- December 15, 2009
This exhibition creates a framework for a dialogue on the meaning of
“transparency” within a Fiber Art context.
How would I define transparency?
I started with the assumption that transparency means anything that is see-through, as in a sheer blouse. But
today’s definition is highly contaminated by its use in business: open, clear, no secrets, transparent.
This is not what our show is about. In fact, it is just the opposite.
The Fiber Art works in our show merely hint at openness. The light may shine through them, but only to guide us
on our quest for understanding. The artists use transparency to pull us into their work, indeed, even making us
walk through and around them, before revealing their hidden contextual meanings to us.
Transparency, then, is the tool which takes us from questioning the permanence of antiquity, Mother Nature or
written words to reveling in the Eternal Presence; from pondering the human condition to celebrating the glorious
colors of the Universe.
View our show and share your definition of transparency with us.
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Adam
(the late Paul Cotton) |
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Random House Converter/Trance-Former#5
1966-2008
Mixed media installation
POR
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Random House Converter/Trance-Former#5
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Random House Converter/Trance-Former#5
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Linda Hutchins |
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Jade Plant
2001
Jade plant, organza and thread
9x.8 x 2.5”
$1800
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Hammer, Egg, Cup
2008
Organza and thread
Dimensions variable
$1400
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Goblet
2008
Organza and thread
4.5 x 3.5 x 3.5”
$900
Egg Basket
2008
Organza and thread
3.5 x 9.5 x 9.5”
$1600
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Connie Utterback |
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Grain of Sand
2007
Nylon mesh construction
58 x 78”
Private Collection
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Lorenz
2007
Nylon mesh construction
90 x 64”
$4800
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Charissa Brock |
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Dwelling
2006
Black Bamboo and steel
Private Collection
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Dwelling - detail
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Speaking from Below
2007
Black Bamboo, fused glass, rock, waxed thread, steel
20 x 9 x 28”
$8000
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Ali Naschke-Messing |
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Two Hundred and Twenty-Nine (From They are full of holy Series)
2008
Installation
Thread, plastic rods,; dimensions variable
POR
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Two Hundred and Twenty-Nine (From They are full of holy Series)
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What City Girl (From the Dirty Love Poem Series, 4)
2008
Thread, plastic rods; dimensions variable
POR
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Susan Taber Avila |
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Recuerdos de Guatemala
2005
Fabic remnants, digital printingon silk gauze, discharge printing, thread
80 x 77”
$4800
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Streets of Saigon
2008
Digitally-printed silk, thread, machine stitching
70 x 67”
$4500
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Marie-Laure Ilie |
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Marching On
2007
Sheer fabric, paint, mixed-media assemblage
108 x 84 x 42”
Oakland Museum of California
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