Transparencies
Curated by Myra Block Kaiser

BRAUNSTEIN/QUAY GALLERY, SAN FRANCISCO
August, 2008

REPRISED FOR FIBERSCENE
October 1- December 15, 2009

This exhibition creates a framework for a dialogue on the meaning of “transparency” within a Fiber Art context.

How would I define transparency?

I started with the assumption that transparency means anything that is see-through, as in a sheer blouse. But today’s definition is highly contaminated by its use in business: open, clear, no secrets, transparent. This is not what our show is about. In fact, it is just the opposite.

The Fiber Art works in our show merely hint at openness. The light may shine through them, but only to guide us on our quest for understanding. The artists use transparency to pull us into their work, indeed, even making us walk through and around them, before revealing their hidden contextual meanings to us.

Transparency, then, is the tool which takes us from questioning the permanence of antiquity, Mother Nature or written words to reveling in the Eternal Presence; from pondering the human condition to celebrating the glorious colors of the Universe.

View our show and share your definition of transparency with us.


Adam
(the late Paul Cotton)




Random House Converter/Trance-Former#5
1966-2008
Mixed media installation
POR












Random House Converter/Trance-Former#5





Random House Converter/Trance-Former#5



Linda Hutchins




Jade Plant
2001
Jade plant, organza and thread
9x.8 x 2.5”
$1800






Hammer, Egg, Cup
2008
Organza and thread
Dimensions variable
$1400






Goblet
2008
Organza and thread
4.5 x 3.5 x 3.5”
$900

Egg Basket
2008
Organza and thread
3.5 x 9.5 x 9.5”
$1600




Connie Utterback




Grain of Sand
2007
Nylon mesh construction
58 x 78”
Private Collection





Lorenz
2007
Nylon mesh construction
90 x 64”
$4800



Charissa Brock




Dwelling
2006
Black Bamboo and steel
Private Collection












Dwelling - detail





Speaking from Below
2007
Black Bamboo, fused glass, rock, waxed thread, steel
20 x 9 x 28”
$8000


Ali Naschke-Messing




Two Hundred and Twenty-Nine (From They are full of holy Series)
2008
Installation
Thread, plastic rods,; dimensions variable
POR












Two Hundred and Twenty-Nine (From They are full of holy Series)





What City Girl (From the Dirty Love Poem Series, 4)
2008
Thread, plastic rods; dimensions variable
POR


Susan Taber Avila




Recuerdos de Guatemala
2005
Fabic remnants, digital printingon silk gauze, discharge printing, thread
80 x 77”
$4800






Streets of Saigon
2008
Digitally-printed silk, thread, machine stitching
70 x 67”
$4500



Marie-Laure Ilie




Marching On
2007
Sheer fabric, paint, mixed-media assemblage
108 x 84 x 42”
Oakland Museum of California


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