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CONSTELLATION I
2005
India ink on canvas, stones and cording
60" x 40" x 3"
SUSPENSION
2005
Ink on cotton, wood objects
48" x 32" x 6"
SUSPENSION (detail)
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BIOGRAPHICAL INFORMATION
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Education
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2003 |
Seminar in Historic Textile Structures, Cleveland Museum of Art, OH |
1996
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Seminar in Textile Conservation, ICCROM Institute, Rome, IT |
1992
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Seminar in Conservation of Textiles, Mills College, Oakland, CA |
1989
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Assistantship, Haystack Mountain School of Crafts, Deer Isle, ME
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1983
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Apprenticeship, Scheuer Tapestry Studio, New York, NY
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1980
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BS in Textile Technology, North Carolina State University, Raleigh, NC
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Professional Experience |
since
1988 |
Proprietor, Joyce Hulbert Tapestry and Textile Restoration, Berkeley, CA
| 2004
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Organizing Committee Member and Lecturer, Textile Society of America biannual conference, Oakland, CA
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Lecturer, Institute of Andean Studies Annual Meeting, Berkeley, CA
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2003 |
Lecturer, Institute of Andean Studies Annual Meeting, Berkeley, CA
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Selected Exhibitions
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2005
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Nexus Gallery, TWW 20 th Anniversary Exhibition, Berkeley, CA
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Nordnorsk Kunstnersentrum, Svolvaer, Norway: AntiWar Medals |
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Electrum Gallery, London, UK: AntiWar Medals |
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Fedderly Gallery, Vallejo Arts Foundation, Vallejo, CA |
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Sanchez Art Center, Pacifica, CA |
2003
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Velvet da Vinci, AntiWar Medals, San Francisco, CA |
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Far Leaves Tea House, Berkeley, CA |
2002
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AVC Contemporary Arts Gallery, New York City, NY |
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Vallejo Movement Center, "Realms of the Spirit", Vallejo, CA |
2001
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Fine Line Arts Center, "Movements in Tapestry", IL |
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Yeiser Art Center, "Fantastic Fibers", Paducah, KY |
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Zen Hospice San Francisco, "Current Work", San Francisco, CA |
ARTIST STATEMENT
I enter my art from a place of distillation. It is not so much my observations of the world outside,
but rather how that world informs, transforms, and effects my "self", my inner world, that becomes
the true source of my work. The visions of the deeply personal will, I believe, exhibit the widely
universal.
I am developing two bodies of work concurrently that differ primarily in process. Pictorial tapestry
is about mastery, narrative, and technique, and is the vehicle I employ to portray subject matter of
life-changing and mythic proportion. Collage offers to me the opportunity of more spontaneity of
process, and thus is appropriate for more intuitive and visceral responses to the world. All of my
work explores the metaphoric and symbolic meanings of textiles, the body, and objects of
nature.
The tapestry grows from a life process of writing, drawing, dyeing, and weaving, and usually
involves several years' commitment to create the final piece, woven from wool, silk, and metal
thread. Connection with this ancient process of weaving adds content and context to the work.
In the collage there is much layering of materials. This is emblematic of the many layers of
perception we bring to our way of knowing - conscious and sub-conscious, felt or seen. A
transparent veil of silk is often incorporated, the veil between the visible and inner or other
worlds. On this veil words form or objects stand suspended, in the moment before we look within
and see the further workings beyond or within us.
Joyce Hulbert has been exhibiting in national and international exhibitions for the past 14 years,
and her art and articles published in numerous books, catalogs, and magazines. She is also the
owner of Joyce Hulbert Tapestry and Textile Restoration offering restoration, conservation, and
mounting of ancient, antique, and contemporary textile art.
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