Susan Taber Avila http://www.suta.com | ||||||
JUBILANCE 1999 18" x 8" x 5" Thread, constructed by machine stitching $4400 JUBILANCE detail ZIPPER 1999 Thread, hand printed silk remnants, machine stitching 60" x 42" x 1" Alameda County, CA, Public Art Collection |
BIOGRAPHICAL INFORMATION
ARTIST STATEMENT My art, based on personal experience and the cultural environment, describes a world which balances security with vulnerability. I create pieces to investigate issues of containment. I am curious about how clothes or skin contain the body, how language contains thought, how environment or packaging contains identity. My work allows me to play with the contradiction of accessible and inaccessible spaces. It is inviting yet deliberately mysterious. Each piece is influenced by my desire to share and withhold. An extremely personal poem may be rendered illegible by irregular stitches while a nagging thought or word is clearly spelled out. I invent a dialect combining illusion and reality. I am inspired by textiles created by other cultures and the powerful meanings attached to them. The textile medium replaces language for describing an event, a place, or a memory. As I work, my environment becomes transformed into a fantasy landscape. I lose myself in its territory of abstract thought; the power of my industrial sewing machine grounds me in reality. The machine becomes a drawing tool. Patterns often derive out of allegories I write to myself in thread. I slip into the reverie of the process, like a long train journey with intriguing scenery. I strive to make something aesthetically beautiful yet meaningful and contemplative. Creating art gives me space and time to gather my thoughts, enabling me to express what I can't articulate with words. Threads transform into colored pencil lines of ethereal writing or compact blocks of textured color. In this way, threads metaphorically mimic life's simple, linear qualities which in abundance are transformed into fabrics dense or delicate, supportive or fragile. COMMENTS ON THE FIBER FIELD
When fiber materials or techniques are the primary medium in content-based artwork
the result is fiber art.
As with any art medium there are a number of different genres within the fiber field
including the personal, political, environmental, aesthetic, abstract, figurative, etc.
Artwork may be grouped by medium, technique or concept. Most fiber artists exhibit in
a wide arena of museums, galleries and corporate settings. Some artists use fiber as
their medium of choice but prefer not to use the "F" word to label their work. With or
without the label, fiber is gaining in popularity, possibly because the seductive, tactile
materials respond nicely to ostensibly impersonal modern technology.
The medium of fiber appeals to a broader audience because it uses familiar materials
and techniques and thus provides a more accessible and understandable art form.
How many people sleep between paintings or put on metal pants in the morning? The
familiarity of the materials themselves usually suggest a meaningful reading even
without necessarily revealing the artist's own conception. The audience can take
something from the visual encounter and relate it to their own experience. Using fiber
as a vehicle for visualizing a personal statement makes sense for artists who want the
viewers to trust their own interpretation, even for an audience untrained in art
appreciation or critical theory. |
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